Wish

Vibe
Walt Disney's centennial celebration follows Asha, a determined and idealistic teenager on the magical island of Rosas, who discovers that the benevolent King Magnifico — who collects the wishes of his citizens and promises to grant one each month — is hoarding them for his own power rather than releasing them as promised. Directed by Chris Buck and Fawn Veerasunthorn, the film is a deliberate tribute to one hundred years of Disney animation, weaving visual homages to the studio's history into a story about the original act at the heart of every Disney film: the act of wishing. Its mosaic-style visual design, blending hand-drawn and computer-generated elements to evoke the studio's classic storybook aesthetic, gives it a distinctive look that connects it explicitly to the tradition it is celebrating. As a story about the power of dreaming, the danger of those who would own that power, and the courage required to make a wish your own, Wish is at its best when it trusts the simplicity of what it has to say.
Watch for
- The mosaic visual style and how it integrates hand-drawn character animation with a painterly background technique that explicitly references Disney's pre-CGI visual tradition — watch how specific shots evoke the gouache background painting of Sleeping Beauty or the watercolor impressionism of Bambi, creating a visual argument about continuity between the studio's first century and its contemporary practice.
- Asha's character animation and how it draws from the specific physical vocabulary of the Disney heroine tradition while incorporating contemporary gestural language — watch how her movement is both continuous with the expressive tradition established by Snow White and specifically distinct from it, reflecting a century of refinement in how the studio animates human emotional states.
- Star's visual design as a deliberate simplification — a five-pointed figure who communicates only through expression, color change, and gesture with no verbal language, and watch how the animators create a fully legible emotional vocabulary for a character without a conventional face, working through the same principles of pantomimic expression the studio used for its earliest non-verbal animal characters.
- Magnifico's design and how it deliberately inverts the Disney visual tradition of making heroes warm and villains angular — watch how his initial appearance codes him as the Disney hero type with generous proportions and welcoming physical openness, and how that warmth is systematically withdrawn as his true character is revealed, using the same visual language the audience trusts to conceal rather than to expose.
Production notes
Wish was developed beginning in 2018 as Disney Animation's centerpiece project for the studio's 100th anniversary in 2023. Chief Creative Officer Jennifer Lee, who had been chief creative officer since 2018, conceived the film as Disney's first original fairy tale — not adapted from any pre-existing source — and as a deliberate homage to the studio's century of work. Co-directors Chris Buck (Frozen, Tarzan) and Fawn Veerasunthorn (in her feature directing debut) led production. The visual approach combined 3D CGI animation with watercolor textures explicitly modeled on Snow White's storybook backgrounds — a hybrid technique requiring substantial new tooling. The film deliberately pinned numerous Easter-egg references to past Disney films across its visual design. Ariana DeBose voiced Asha, Chris Pine played King Magnifico, and Alan Tudyk voiced the goat Valentino. The film was dedicated to Burny Mattinson, a Disney legend who had worked at the studio for over 70 years and died in February 2023.
Trivia
- Wish is Disney's first original fairy tale — every previous Disney fairy-tale film (Snow White, Cinderella, Sleeping Beauty, The Little Mermaid, Beauty and the Beast, Tangled, The Princess and the Frog, Frozen) was adapted from a pre-existing folktale, story, or legend; Wish was conceived from scratch.
- The film is dedicated to Burny Mattinson, who joined Disney in 1953 as a mailroom employee, became one of the studio's most prolific and respected story artists, and worked there for 70 years until his death at age 87 in February 2023 — a longer tenure than any other employee in studio history.
- Wish premiered at the El Capitan Theatre in Hollywood on November 8, 2023, just hours after the SAG-AFTRA actors' strike officially ended; cast members had been unable to promote the film during the strike, and the timing of its premiere was directly shaped by the labor settlement.
- The film's visual style combines fully 3D CGI characters and environments with hand-painted watercolor textures applied to backgrounds — a technique Disney developed specifically for this project as a tribute to the storybook look of Snow White and the Seven Dwarfs.
- Wish features the song 'When You Wish Upon a Star' from Pinocchio (1940) integrated into composer Dave Metzger's underscore; the song's first five notes appear repeatedly throughout the score as a thematic spine connecting the film to Disney's signature melody.
Legacy
Wish grossed about $255 million worldwide on a budget reported between $175 and $200 million — a clear commercial disappointment for what was meant to be a centenary anniversary statement. As Disney's first original fairy tale (every previous Disney fairy-tale film was adapted from a pre-existing source), the film carried unusual weight as a creative declaration. Critical reception was mixed; the film was widely seen as a beautifully crafted but narratively underdeveloped tribute, with the watercolor-CGI hybrid earning more praise than the screenplay. Its underperformance contributed to ongoing reassessment of Disney Animation Studios' creative direction in the post-Lasseter era, and entered the conversation around how the studio honors its legacy — whether through original work, IP-driven sequels, or live-action remakes. Despite its theatrical struggles, Wish has had a quiet streaming life on Disney+ and represents the studio's most explicit attempt to make a film about itself: about wishing, about magic, and about the act of carrying a hundred years of Disney imagery forward. Its dedication to Burny Mattinson — who joined Disney in 1953 and worked there for 70 years — gives the film a personal connection to studio history few others can match.